Elizabeth Hardwick was one of America’s great postwar women of letters, celebrated as a novelist and as an essayist. Until now, however, her slim but remarkable achievement as a writer of short stories has remained largely hidden, with her work tucked away in the pages of the periodicals—such as Partisan Review, The New Yorker , and The New York Review of Books —in which it o...(展开全部)

The first-ever collection of essays from across Elizabeth Hardwick's illustrious writing career, including works not seen in print for decades. Elizabeth Hardwick wrote during the golden age of the American literary essay. For Hardwick, the essay was an imaginative endeavor, a serious form, criticism worthy of the literature in question. In the essays collected here she covers ...(展开全部)

In a dazzlingly original work of nonfiction, the award-winning novelist Colson Whitehead re-creates the exuberance, the chaos, the promise, and the heartbreak of New York. Here is a literary love song that will entrance anyone who has lived in—or spent time—in the greatest of American cities. A masterful evocation of the city that never sleeps, The Colossus of New York captur...(展开全部)

Based on the blog with more than two million loyal fans, a beautiful, heartfelt, funny, and inspiring collection of photographs and stories capturing the spirit of a city Now an instant #1 New York Times bestseller, Humans of New York began in the summer of 2010, when photographer Brandon Stanton set out to create a photographic census of New York City. Armed with his camera, ...(展开全部)

The letters of Elizabeth Hardwick and Robert Lowell The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell's life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centered on the letters they exchanged with each other and with other members of their circle--writers, in...(展开全部)

摩根•福尔克纳（Morgan Falconer），艺术评论家，常驻纽约记者，为Art Review，The New Statementsman，Modern Painters等众多报刊撰写文章。

When Ann Beattie began publishing short stories in The New Yorker in the mid-seventies, she emerged with a voice so original, and so uncannily precise and prescient in its assessment of her characters’ drift and narcissism, that she was instantly celebrated as a voice of her generation. Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master obser...(展开全部)

When Ann Beattie began publishing short stories in The New Yorker in the mid-seventies, she emerged with a voice so original, and so uncannily precise and prescient in its assessment of her characters’ drift and narcissism, that she was instantly celebrated as a voice of her generation. Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master obser...(展开全部)

When Ann Beattie began publishing short stories in The New Yorker in the mid-seventies, she emerged with a voice so original, and so uncannily precise and prescient in its assessment of her characters’ drift and narcissism, that she was instantly celebrated as a voice of her generation. Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master obser...(展开全部)